Poetry

Collage by Isabel Gray

When Carmilla Returns, Styria Is Different

When Carmilla Returns, Styria Is Different

LindaAnn LoSchiavo

Covid reminded her of the Black Death,
Fatalities unfolding silently
As muslin shrouds, infecting secretly.

She’s deprived of uninterrupted sleep.

Roused from bleak dreams, Carmilla senses filth
Inside her lungs – uncleanliness. What’s changed?

A pox has blanketed the air with rot,
Its toxic aftertaste. This complicates
Her scheme – thirst urgent as a last request.

Even in darkness, she recalled her curse:
Ceaseless pursuit of youthfulness whose price
Is stolen blood – warm red wealth that buys time.

Without it, she’s the color of waiting.

Disease changed Styria, its ticking stilled:
Tram stops disused, shop signs like tattered skin
Peeling away in grim unhealthy breeze.
Old beech trees loomed like ghostly chaperones.

A curtain flutters like a helpless moth –
Reveals a sleeping, pink-cheeked blonde. Alone.

A vampire knows the contract she has made
With hunger and the power of beauty,
Ruled by unfathomable appetites.

She hypnotizes, casting sly shadows
Shaped like her victim’s most unrealized
Desires, then enters – cloaked in this disguise.

Native New Yorker. Poet. Writer. Dramatist. In 2024 LindaAnn LoSchiavo had three poetry books published in 3 different countries; two titles won multiple awards. In 2025-26 two titles are forthcoming: “Cancer Courts My Mother” and “Vampire Verses.”


“A segment of my formal verse functions as dispatches from the Bar-do—that liminal space I escape to with my imaginative alter-egos and my gothic predilections.”

Latitudes & Longitudes

Bailey River / Daniel Combs www.danielcombsphotography.com
“Latitudes & Longitudes” was written after witnessing the Solar Eclipse on October 14, 2023. This picture is of a shimmering pine along the Bailey River in Bailey, Colorado – where I was when observing the eclipse. Photo Credit: Daniel Combs http://www.danielcombsphotography.com

Latitudes & Longitudes: An Outtakes Poem

Shelli Rottschafer

Latitudes of home
hurry from the child I
and toward the adult me.
Both born of the same backward stroke.

This awakening,
urges said swaddled child
below a pocked moon darkness.
Backlighted.

There I saw,
her hands lost in silver.
Scythe’s sliver
details stem to blade.

Sun sashayed
in an unworldly sky
a color that deep-ended
to indigo.

My air bleeds
playing at rock bottom
enraptured depth
of deep-sea divers.

Latitudes & Longitudes: An Outtakes Poem is the inversion of an original poem I wrote titled “Eclipsed,” which is after Annie Dillard’s essay “Total Eclipse” in The Abundance: Narrative Essays Old and New. NY: Harper Collins, 2016. Pp 1-24. The concept of an out-takes-poem is gleaned by Maya Jewell Zeller’s collection of poetry, out takes / glove box. Milwaukee: New American Press, 2023. An out-takes-poem works through erasure in that it takes snippets out of one poem in order to create an entirely different piece.

A precipice along Rockslide Trailhead, taken May 2025.
Photo Credit: Daniel Combs www.danielcombsphotography.com

The area is part of El Rio Grande del Norte National Monument which is threatened to being opened and exploited by Secretary Doug Burgum. Burgum’s Department of Interior plans to open Public Lands for natural resource extraction.  This poem was written in protest, #HandsOff #PublicLands

The News of the Day

Shelli Rottschafer

As we take stock,
hearts plummet.

News headlined,
trickles down.

Public lands,
no longer may these feet tread.

Cuchillo cuts
a heavy price -

pined for hope
extracted.

Left to waste
rot in these dry climes.

Only desert monsoon will break
upon these flooded gates.

Extra
red reeds

our acequia, a newly eroded river edge.
El Río Pueblo whispers rapidly.

Sage-knowledge
ripe, for the fracking.

The news of the day:
We are still here.

The News of the Day was written April 10, 2025. Inspired while hiking Rock Slide Trail and where it meets Picuris Trail. This gravel route once was the road south of Taos that led over to the west-mesa.  At the bottom of the canyon someone has repeatedly dumped trash like old appliances.  Also, one of these discarded items is an old newspaper metal dispenser.  Hence, the journalistic references.  It was also written in anticipation of Earth Day, and our need for community clean-ups.

Photo Credit: Daniel Combs  www.danielcombsphotography.com

Shelli Rottschafer completed her doctorate from the University of New Mexico, Albuquerque (2005) in Latin American Contemporary Literature. From 2006 until 2023 Rottschafer taught at a small liberal arts college in Grand Rapids, Michigan as a Professor of Spanish. She also holds an MFA in Creative Writing with a concentration in Poetry and coursework in Nature Writing from Western Colorado University (2025).
Shelli’s home state is Michigan, yet her wanderlust turns her gaze toward her new querencia within the Mountain West where she lives, loves, and writes in Louisville, Colorado and El Prado, Nuevo México with her partner, photographer Daniel Combs and their Pyrenees-Border Collie Rescue. 

Discover more of Shelli’s work at: www.shellirottschaferauthor.com

Moirai Contrapuntal

Moirai Contrapuntal

—for Nancy Beauregard
Erica Reid
ClothoLachesis Atropos
who knows?
willall things
start over
threadsend

some
how
make artno matter
fate is inhow we
begin movingtheir hands
guide them

Erica Reid is the author of Ghost Man on Second, winner of the Donald Justice Poetry Prize (Autumn House Press, 2024). Erica’s poems appear in Rattle, Cherry Tree, Colorado Review, and more. She teaches Poetry in Western Colorado University’s MFA program, where she was also a student. ericareidpoet.com

What We Talk About When We Talk About Teaching

Rebecca Salomonsson

There is a language we speak when we talk about teaching.

Standards, Flipped Classrooms, Metacognition, 

MAP Scores, Growth Mindset, Differentiation,

Learning Targets, Success Criteria, Arts Integration.

That’s what we talk about when we talk about teaching.

So here’s a lesson for the unaware,

A few definitions to help you understand,

All the language, and all the knowledge, we bear.

We talk about classroom management

And consider how to manage when there is

One whose mom kicked her out; 

One who struggles with his identity.

One who is not okay and we don’t know why

One who needs a snack because his stomach is empty;

One who doesn’t think she’ll live to see twenty. 

Classroom management is seeing the whole 

and the individual at once

We talk about Executive Functioning

And wonder how to teach them to

Organize a binder when there is

One whose dad is in jail (or should be)

One whose anxiety kept her up all night

One who cries in the back 

Because someone told him he’s a failure

We wonder how to function when 

Our own child cried herself to sleep last night

But we still have to teach a lesson on proper document formatting 

Double-Spaced, Time New Roman, 12-Point Font

But we know how to do it and do it well because

Executive Functioning is learning to carry on 

when so much is pulling us back

We talk about Differentiation

About how different our students are, 

their strengths, their struggles

The one whose way of greeting us is, “Hi, favorite teacher!” 

The one who’s not in our class anymore, 

but always does a drive-by hug in the hall

We talk about the difference 

between the emails we send and the emails we want to send,

But never will because we are professionals.

Differentiation is knowing our limitations 

and the things we don’t let limit us

We talk about scope and sequence

But we can’t possibly prepare for the scope

of what the year will bring

or the sequence of events that might disrupt our day

For when the one we try to reach slams the door of her heart against us

Or how it will hurt when the one who seeks our guidance all year

Forgets to say goodbye on his last day.

And here’s the last lesson for those who don’t know, 

those who sit in their corner of social media and

say we have an agenda of indoctrination,

Or tell us to stop complaining, get back to work, or quit if we’re unhappy,

And how dare we stand on that picket line anyway?

When we talk about teaching we talk about the sleepy eyes 

That catch the fire of understanding

We talk about the one who says 

“I like Shakespeare now because of you” 

We talk about the one who used to be too shy to talk in class, 

But who just auditioned for the play

The one who used to be too angry to look us in the eye, 

But who now is the one who tells us everything

The one who says we’re the only adult they can talk to

The one who takes pride in his latest reading scores

The ones who keep us coming back to this place, 

Who hold us in this profession and in this life, 

A life that frustrates and exhausts and exhilarates

We talk about the books we’ll write someday, 

the stories we’re collecting, the things we sometimes have to say

“Please don’t lick your desk” 

“Maybe don’t glue your fingers together.”

They, these students, this life – 

That’s what we talk about when we talk about teaching.

Rebecca Salomonsson is a writer and educator who lives in Connecticut. She has an MA in Genre Fiction from Western Colorado University.

Sowing // Stirring

Mackenzie Sains

Somewhere, not far from where you are now, there is a stirring. A child is born, the dawn breaks open, a flag is flown, a prayer commences, a pen creates a world. Somewhere, sleeping inside the seeds of your heart, there is a voice whispering of the world in which you have come from. Maybe, once, you’ve heard this story before. Maybe, soon, you’ll feel the ghost of it as you pass by a sturdy tree one evening with your dog. Maybe, you’ll notice how the light shines up from under the petals creamy white like fresh milk, how the branches are perfectly suspended over the sidewalk, how strong and generous this tree has been—here—and somehow, you’ve only just now noticed. Maybe you’ll reach out a hand and in your reaching out, you’ll feel that tree reach back out towards you. In a world surrounded by the dying, the disenfranchised, and the dispossessed, it will be the living that glows like a torch flame in the dark illuminating the path forward. It’s a story as ancient as Life.

Mackenzie Sains is a poet, writer, and dreamer living in the Blue Ridge Mountains of Western North Carolina where she loves to farm and camp. She received her MFA in Poetry from Western Colorado University in July 2025.

Latest Posts

  • When Carmilla Returns, Styria Is Different

    When Carmilla Returns, Styria Is Different LindaAnn LoSchiavo Covid reminded her of the Black Death,Fatalities unfolding silentlyAs muslin shrouds, infecting secretly.She’s deprived of uninterrupted sleep.Roused from bleak dreams, Carmilla senses filthInside her lungs – uncleanliness. What’s changed?A pox has blanketed the air with rot,Its toxic aftertaste. This complicatesHer scheme – thirst urgent as a last…

  • Latitudes & Longitudes

    Latitudes & Longitudes

    Latitudes & Longitudes: An Outtakes Poem Shelli Rottschafer Latitudes of homehurry from the child Iand toward the adult me. Both born of the same backward stroke.This awakening, urges said swaddled childbelow a pocked moon darkness.Backlighted. There I saw,her hands lost in silver.Scythe’s sliver details stem to blade.Sun sashayed in an unworldly sky a color that…

  • Moirai Contrapuntal

    Moirai Contrapuntal

    Moirai Contrapuntal —for Nancy Beauregard Erica Reid Clotho Lachesis Atropos who knows? will all things start over threads end somehow make art no matter fate is in how we begin moving their hands guide them Erica Reid is the author of Ghost Man on Second, winner of the Donald Justice Poetry Prize (Autumn House Press,…